Friday, January 24, 2020

Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart :: essays papers

Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart There was recently a cartoon in the New Yorker magazine.The cartoon shows a group of kilt-clad Highlands charging up a hill, claymore swords drawn and waving, as one of them says to another, "You know, if we didn't wear this damn skirtsmaybe we wouldn't have to defend our manhood every five minutes." My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western. Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan). Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart :: essays papers Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart There was recently a cartoon in the New Yorker magazine.The cartoon shows a group of kilt-clad Highlands charging up a hill, claymore swords drawn and waving, as one of them says to another, "You know, if we didn't wear this damn skirtsmaybe we wouldn't have to defend our manhood every five minutes." My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western. Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan).

Thursday, January 16, 2020

A charity appeal letter for Action Against Hunger

I am the director of a company called Action against Hunger which You may have heard of, I am writing to you to ask your generosity and kindness to those less fortunate than you. I am hoping that you can spare a small amount of time to read my letter, and consider making a donation. You may be thinking that this is just another junk letter asking for money for a worthless cause, but we need your help. Firstly, Action against hunger is an organisation that helps children and adults all around the world suffering from malnutrition Action against Hunger’s vision is of a world without hunger. A world in which all children and adults have sufficient food and water, equitable access to the resources that sustain life, and are able to attain these with dignity. Our mission is to save lives by eliminating hunger through the prevention, detection and treatment of malnutrition, especially during and after emergency situations of conflict, war and natural disaster. From crisis to sustainability, we tackle the underlying causes of malnutrition and its effects. By integrating our programmes with local and national systems we further ensure that short-term interventions become long-term solutions. As you can see, we do a lot of things for people that are less fortunate than us, and we need all the donation we can get to keep this going. Your support is immensely powerful. Regardless of the amount, it enables our field workers to save lives, feeding children on the brink of death, helping isolated and vulnerable communities, and providing families with clean and safe drinking water. You can change a person’s life. So why wait? Furthermore, the expected rains across large areas of the region (including north east Kenya and large parts of Somalia) have failed, leading to an severe food crisis. Thousands of families, including around 70,000 children, have been forced to flee the drought-stricken homes to survive, with many joining overcrowded refugee camps. What if you were in this position? And you were the one begging for food. They do need your help, or the worse could happen. No person was born to die. So help fight global hunger!

Wednesday, January 8, 2020

Hiv And Aids A Serious Disease - 1395 Words

HIV and AIDS is a very serious disease in this world and will continue to fester within our population because of ignorance and lack of knowledge about this infection. AIDS is recognized as an international health catastrophe. It is the first outlandish and unique widespread of communicable diseases. People with AIDS acquire many different kinds of diseases which the body would usually fight off easily but this illness breaks down the body’s defenses. AIDS is caused by a virus called HIV, which is short for Human Immunodeficiency Virus. HIV can be passed on because it would be present in the blood of infected people. Corruption and nonexistence of religion has played a menacing role in the first phase of the disease. Today other sources of the disease are considered, like the worldwide unfamiliarity of personal hygiene and sexual life. HIV and AIDS have taken a toll on the world especially in Africa. It has been a major cause of death in the world; it also continues to be a pu blic health concern. It presents a threat to impending generations with villages being cleaned out due to its influences. The most disturbed generation being the most dynamic age group leaving the senior and ripened to look after the young. Widows and stray children have been a leading indicator in many communities and strive through trials and tribulations to endure the impacts of HIV. Numbers demonstrate that Africa has been the most disturbed by the condition being forced into theseShow MoreRelatedWhy Hiv / Aids Is A Serious Disease Essay1169 Words   |  5 PagesWHY HIV/AIDS IS A SERIOUS DISEASE HIV/AIDS is a disease that has more than 34 million people infected worldwide. This disease has 5,700 new infections every day, resulting in 240 more every single hour. This disease has caused 21.8 million deaths before the year 2000 and caused 1.8 million in 2012 alone. 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